Superlove of the Month November 2020 – Hana Jirickova

HANA JIRICKOVA

A native of Brno, Czech Republic and lover of the arts, Hana Jirickova has carved out her very own niche in the dazzling world of high fashion modeling since being discovered at the age of 16 years old. Although growing up quite poor and only having the hand-me-downs of her brothers to wear, the inner artiste of Hana took full advantage of her predicament which an unlikely obsession for fashion would blossom:

I remember flashbacks lighting up Magic Whip
Eight o’clock, Kowloon emptiness, handle it
The white horse image I had of you eleven seconds ago
I didn’t send you, so you will never know
I got away for a little while
But then it came back much harder

“I’VE ALWAYS BEEN CREATIVE… We had no money when I was growing up, so I had to be. My mum had a sewing machine and we learned how to redo clothes and add our own touches to them.”

Admittedly, Hana never had any desire to be a model and ever since she got her very first set of paint brushes and paints at the age of four years old for Christmas, Hana knew right away what she was destined for: “I had no desire at all to be a model,” says Hana. “I was only into art and wanted to go to art school.

Swinging on a cable up to Po Lin
Climbing panda, ghostly wine, and a battery
That light in your eyes I search for religiously
When it’s not there, oh Lord, it’s hurting me
I got away for a little while
But then it came back much harder

Still very much impassioned with her calling and dream of being an artist, the unlikely prospect of modeling would weave its way into Hana’s creative plans when she was scouted at the age of 16. Comically, Hana took the agents modeling proposal as a pick-up line, giving him her dad’s phone number to contact.

‘Til I ever hold you out there again, will you be mine?
‘Cause I’m on a ghost ship drowning my heart in Hong Kong
It’s the last ride boarding here tonight
Out in the bay (Out in the bay)
I’ll need a lantern in you to shine out bright rays

A month later, Jirickova was in Prague with her father to meet the owners of Prague Elite in hopes of convincing her to take part in their Elite supermodel competition where Hana not only competed, but ultimately won! With a means to fund her art education in Prague from the funds she received from modeling, Hana was able to graduate and set her creative sights on the city of lovers, Paris!

Hana Jirickova would launch her career during the Autumn/Winter 2008 season, walking for everyone from Agnes B, Alberto Tous, Barbara Bui, Belstaff, Elsa Esturgie, Isabel Marant, and Martin Lamothe. For the next few years, Hana kept fashion modeling at a steady pace while realizing her dream of attending art school, still finding time to do runway work and editorials.

Hana’s patient start would finally yield results when she broke out majorly in 2013, scoring her first major covers Vogue Mexico, twice for Vogue Portugal, Russh, Bal Harbour, and Elle Czech Republic, while in the same year walking for Oscar de la Renta and Ralph Lauren.

Yet her 2013 year would fail in comparison to the year of 2014, and would prove to be one of her biggest yet on the scene as she walked for some of the biggest names such as Max Mara, Etro, Trussardi, Ralph Lauren, Alexander Wang, Marc Jacobs, Tommy Hilfiger, Isabel Marant, Tom Ford, and Versace! Hana even had advertising work for H&M, Armani Exchange, Tommy Hilfiger, and Max Mara, while securing two more Vogue covers in the same year.

“I was going to be a painter before I started to be a model.”

Feeling out of body here, what can I do?
It’s up to the top every day to join with you
I had to get away for a little while
But then it came back much harder

While 2013 and 2014 would serve to be some of her most fruitful years on the catwalk, 2015 and 2016 would be some of her most successful years commercially as she was featured in back to back years for Paco Rabanne’s Lady Million Fragrance, starring alongside Sean O’Pry. She electrified in ads like Tiffany & Co., Beymen, Wolford, Malene Birgir, and Net-A-Porter.

‘Til I ever hold you out there again, will you be mine?
‘Cause I’m on a ghost ship drowning my heart in Hong Kong
It’s the last ride boarding here tonight
Out in the bay (Out in the bay)
I’ll need a lantern in you to shine out bright rays

Although Hana doesn’t have as much fanfare as some of her modeling contemporaries, she’s still very much in demand after being in the fashion industry for over a decade. According Models.com, she’s ranked among the very best, snagging Top 50 and the Hot List achievements, even ranking amongst the big money earners. 2019 and especially 2020 have been nothing short of stellar for Hana with four Vogue covers and numerous editorial and advertisement work.

When Hana isn’t modeling she loves to be hyperactive, although not much of a gym-goer, she loves to play ping pong and is addicted to playing tennis: “THE GYM ISN’T FOR ME… I like tennis, running, swimming, whatever gets me outside. I love nature; it makes me happy. I like the city for the energy, but after a while I need a bit of green.”

I really do think Hana Jirickova is one of the coolest models around with a great personality to match her charming, extroverted quirkiness. She’s insanely dynamic when she’s modeling from being plain silly to adorable, avant-garde to classical, sophisticated to daring sultry sex appeal, she can model about anything with a number of sundry looks.

Hana being a creative and a painter no doubt coincides with her being as amazing as a model as she is. She plays on her artistic know-how and creates characters that invoke feelings like a painter applies color and shapes to a canvas: “ART IS MY REAL PASSION… It’s good for my soul. When I see something that inspires me, I really get into doing collages and playing with color. Ten hours can go by and I don’t even realize it.”

‘Til I ever hold you out there again, will you be mine?
‘Cause I’m on a ghost ship drowning my heart in Hong Kong
It’s the last ride boarding here tonight
Out in the bay (Out in the bay)
I’ll need a lantern in you to shine out bright rays
Bright rays, bright rays

Like a rockin’ Pixies or Blur song, Hana Jirickova is just otherworldly dynamic! She’s one of the most exciting and captivating fashion models around today. She’s extroverted, quirky, crafty, imaginative, high energy and just plain out lovingly silly. A Superlove that will have you humming Beetlebum like there’s no other way with her art in one hand and love in the other, Hana Jirickova.

Laetitia Casta Goes Full On 90s in Jacquemus Fall/Winter 2020 Campaign

Laetitia Casta goes full on 90s like only she can for Jacquemus’s Fall/Winter 2020 Collection “L’ANNÉE 97” with Walkmans, Yo-yos, and N64 consoles, all the while sporting nifty threads from the collection like La veste Esterel, La jupe Valerie, La veste d’homme, and the sporty Le Chiquito long’s bag! I thought this was such an awesome collection when it debuted back in January. I thought the threads were comfortable yet chic, on-the-go casual yet formal enough to wear at the most important functions, plus, my favorite models like Luna and Birgit were featured in the show. This was such a fun showcase of a memorable collection with 90s flare with one of the coolest models from the 90s in Laetitia Casta. Thanks Jacquemus for taking this 90s kid down memory lane. I’m a little bummed I didn’t get to see Laetita with a Tamagotchi or Game Boy Color, though lol. Photography by Valentin Herfray

Luna Bijl Models Mango’s Activewear for Women 2020

The stellar Luna Bijl is back at it again with the fine people at Mango to model their amazing Activewear for Women 2020 collection with sporty leggings, crop T-shirts, ribbed bodysuits, crop sweatshirts with plenty of other cool accessories. Luna Bijl loves to kickbox and motocross so she was without a doubt the perfect fit for this collection and it would be hard to imagine another brand topping such cool pieces of women’s activewear like Mango when it comes to style. Mango and Luna Bijl are probably one of the best collabs in fashion right now.

Giedre Dukauskaite with Some Looks from 24s

I really couldn’t resist posting these from my favorite model of the runways, the one and only Giedre Dukauskaite. I think she wears 24s‘ bags better than anyone with her usual charming style and sophistication. Plus, Giedre chilling with a slice of pizza is one of my new favorite things ♡

Rianne Van Rompaey for Vogue Paris October 2020

Ok, this is hands down my favorite Rianne Van Rompaey editorial so far for this year! You have a few pieces from Louis Vuitton, Dior, Moschino, Chanel, Isabel Marant, and Polo Ralph Lauren. The whole shoot has a 90s teen pop, hip-hop, Missy Elliott feel with Aspen snow trails. This editorial is so colorful and fun that I could picture Missy Elliott actually singing with Rianne and Malika Louback being backup dancers! There isn’t a more awesomer model than Rianne-too-cool-you-can’t-sit-with-us-Van Romapaey ♡ Photography by Carlijn Jacobs

Timeless Beauty: A Tribute To The Face of GUESS and Muse of Chanel – The Modeling Sensation Claudia Schiffer

“I have a very happy childhood here. I have great relationship with my parents. They’re very modern, very open. My sister and brothers are really great as well. In one point in my life I wanted to become a lawyer like my father because I was very impressed by what he was doing. I was helping out on the weekend in his offices with my sister together and once awhile I went with him to court to watch him work in court and I was so impressed that I wanted to become a lawyer and do the same thing as him.”

Born on August 25, 1970 in a small town of Rheinberg, Germany, Claudia Schiffer never dreamed of becoming a model, let alone the face of a major fashion house or an icon of a generation. Aspiring to be like her prominent attorney father and guided by a loving homemaker mother, Claudia, the eldest of four children, had an incredibly happy childhood and had close bonds with her siblings. Those intangibles of happiness and family would help mold Claudia into the amazing woman she would become:

But much to the surprise of Claudia and her family, fate would have a totally different path for 17 year old Schiffer when the self described shy and awkward teen was discovered in a Düsseldorf nightclub by then visiting modeling scout and founder of METROPOLITAN models agency Michel Levaton. “I was very shy: when someone came to visit us at home, I always hid behind a curtain … And I was so tall and slender that I had a lot of complexes at school: for fear of attracting attention, I always sat in the last row.”

At first Claudia’s parents rejected the idea outright of their daughter pursuing a modeling career but after several meetings with agents and some persuading, Claudia’s parents began to come around: “They were very supportive and said basically, ‘You decide, if you want to do it, we’re totally behind you.’ Even my mother came with me in the beginning and helped me out going around Paris because I came from a small town. I didn’t know how the subway station worked. I didn’t know how to go around Paris, how to do all these things.”

But Claudia’s modeling aspiration were almost short lived as she was rejected time after time while trying to adjust to a life in Paris: “At first it was difficult. I was surrounded by more and more people, everything was new. I didn’t have time to make friends. And I didn’t even know if I was going to be successful. Plus, I didn’t speak French and English well: I didn’t understand everything I was told, but I was too shy to ask for explanations. My salvation was the moments in front of the mirror, for the make-up. It was like a protection, my armor.”

And I was lost for words
In your arms
Attempting to make sense
Of my aching heart
If I could just be
Everything and everyone to you
This life would just be so easy

Not enough time for all
That I want for you
Not enough time for every kiss
And every touch and all the nights

With Claudia’s dogged determination in the face of rejection and acquired new confidence from practicing in the mirror, Schiffer struck big with her first major cover for the October, 1989 issue of ELLE, shot by Gilles Bensimon: “ELLE Magazine, I was lucky, they liked me very much, so they started working with me, I had my first cover with them. That gave me a chance to be seen by other fashion editors, or designers, or photographers, and slowly from there I started to work with everybody else.

Claudia learned to eventually overcome her shyness by utilizing those moments in the mirror to transform herself into a confident, brave, and determined woman during shoots: “Few thought I would make it. But while they were putting on my make-up, I told myself that from that moment on no one would ever see me blush again. And in fact I always managed to show perfect control of myself.”

Already being dubbed as the 90s Brigitte Bardot and experiencing unprecedented success, Claudia Schiffer’s career would hit a new stratosphere when in 1989 she scored her first GUESS campaign photographed by the one and only Ellen von Unwerth who was also starting her career:

“Ellen von Unwerth was the first photographer I worked with and her pictures launched both of our careers. In the early years when we were both first signed for Guess it often just felt like two friends mucking around and that’s your perfect shoot, where the chemistry between photographer and model happens. You can be as silly and naughty as you want, because there’s trust. She was starting, I was starting. We got on like a house on fire, having fun, being silly, just mucking around next to the Centre Pompidou on the streets of Paris in my own clothes.

Still unaware of her superstar status, the international modeling sensation’s career would forever be changed when Claudia caught the eye of legendary fashion designer Karl Lagerfeld, handpicking her to walk in his spring Chanel Haute Couture show in 1990. Claudia never even walked a fashion show and admittedly never wanted to walk one, but after much convincing from Karl, Claudia tried her hand at the runway:

“My very first show was for Karl and Chanel and that was very special. It was the pivotal moment in my career that transformed me from a shy teenager into a supermodel. After a few Chanel campaigns shot by Karl, he tried to convince me to be in his fashion show even though I’d said that it wasn’t for me as I was still very young and shy. I think he found it a fun challenge, but he explained that he wasn’t looking for the co-ordinated elegant catwalk of the moment, but rather something new. So he said to just imagine I was just walking to school and that’s what I did!”

By 1992, Claudia Schiffer was a global modeling juggernaut as she graced countless fashion magazine covers (8 for Vogue alone in the same year), editorials, campaigns, became the face for GUESS and Chanel. Then in 1992, Claudia signed at the time, one of the biggest beauty cosmetic contracts as the face of Revlon for three years and $10,000,000 USD. With models like Claudia boasting this type of unheard earning power and fashion designers like Gianni Versace driving art and pop culture, the age of the SUPERMODEL was cemented:

We will make time stop
For the two of us
Make time stop
And listen for our sighs

Not enough time for all
That I want for you
Not enough time for every kiss
And every touch and all the nights

“The Eighties was when I fell in love with fashion and the Nineties was when I learnt what fashion really was. It was an intense and amazing time in fashion that had not been seen before. There was a movement of change as music, fashion and art were starting to converge more than ever. This was before digital, when fashion news could last for weeks on the front page. Gianni’s shows were like rock concerts; he was the designer who made fashion a pop culture phenomenon. We’d walk to an amazing Prince track with hundreds of photographers lining the catwalk, only to see him sitting there on the front row. He made his runway into a live show with choreography, great lighting effects and timings similar to a theatre experience.”

By the mid to late 1990s, Claudia started to veer away from just wanting to be a pretty face and ventured into being a business mogul, becoming the first model to make the cover of Vanity Fair, Rolling Stone, the New York Times, and People. According to Forbes, by 1995, Claudia was earning over $5 million annually, having a string of fitness videos titled Perfectly Fit, calendars, and even opened up a restaurant called the Fashion Café with fellow supermodels Naomi Campbell, Elle Macpherson, and Christy Turlington.

As the supermodel phenomenon was coming to a close by the late 1990s, Claudia Schiffer realizing how much the fashion industry and media influenced the perception of body image to girls and woman, voiced her concerns over the trend of heroin chic and anorexia:

“I don’t like very much either that the fashion trend right now is the women or girls are supposed to be very thin which could be very dangerous to all the young women and girls that are reading all the fashion magazines and following every fashion trend. So I think it’s dangerous if they copy everything, they might copy also wanting to be so thin which can lead into anorexia and that’s very dangerous.”

In 2001, Claudia married film director Matthew Vaughn. Throughout the 2000s, Claudia would become the face of Spanish clothing company Mango, reunited with Karl Lagerfeld and Chanel, become the the face of Alberta Ferretti’s signature fragrance, starred in campaigns for Louis Vuitton, Salvatore Ferragamo, and Yves Saint Laurent, while kicking off her own Cashmere collection in Paris.

With a modeling career spanning over 30 years, Claudia has done what very few could dream of. Claudia Schiffer at the age of 25, according to The New York Times, was a modeling miniconglomerate generating millions of dollars a year as the world’s best-paid supermodel, the face of iconic and world renowned fashion brands like GUESS and Chanel, landing record-breaking cosmetic contracts, and according to the Guinness Book of World Records, she holds the record as the model with the most magazine covers, totaling over 1,000!

In our fight against the end
Making love we are immortal
We are the last two left on earth
And I was lost for words
In your arms
Attempting to make sense of
My aching heart
If I could just be everything
And everyone to you

To many like Ellen von Unwerth, Gilles Bensimon, Paul Marciano, and Karl Lagerfeld, Claudia was a modern day Brigitte Bardot who exhibited fun, playful sex appeal, and the exuberance of youth. Despite her electrifying larger than life likeness, Claudia was always awfully shy and would blush red if anyone starred in her direction, she even swore off runway work because of her shyness. Even some regarded her as too serious and reserved at times.

Not enough time for all
That I want for you
Not enough time for every kiss
Not enough time for all my love
Not enough time for every touch

But like Clark Kent running into a phone booth for his metamorphosis, the camera lens became Claudia’s phone booth to dispatch her inner super: It may seem inconceivable that a supermodel could struggle with insecurity but I did. When I first heard the term supermodel it resonated with me and gave me strength. By transforming into a “superman” persona and allowing myself to embrace that character, I was able to live beyond any self-imposed limitations and accomplish much more than I thought I was capable of.

It was also Schiffer’s very shy and reserved nature that kept her from falling victim to the usual pitfalls of fortune and fame that so many stars of the 90s succumbed to: “I think the shyness actually protected me from lots of things. That’s probably why I have only had good experiences in modelling because I never had that moment where someone offered me drugs or something bad could have happened.”

Not enough time for all
That I want for you
Not enough time for every kiss
And every touch and all the nights

From a shy German teen to an iconic supermodeling sensation, Claudia Schiffer transcended the expectations many had for her. From the onset, Claudia’s small town charm, authenticity, and warmth is what captivated people the world over the most. The 90s were filled with tragic stars riddled with demons, taken way before their time. Yet Claudia’s star was never too big for the brightest of lights. Celebrity and megalomania might be a constant today, but the notion of a super like Claudia was much more meaningful and it’s something that forever changed fashion:

“This is why I remain passionate about the fashion industry 30 years later. Fashion and beauty in their purest sense can be empowering tools, almost like armor. They can enable you to define and re-define yourself or let a specific attribute shine. More than that, sometimes we need help to find our purpose, to persevere beyond the self-doubt and be who we were meant to be.”